Zarahemla in the Canary Islands?

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Some of you may receive this information from Wayne May and John Lefgren and their Heartland Research Group. This is research being done to find Zarahemla and any connection to the ancient Book of Mormon City or Land. There are many working on this project and if you visit the site zarahemla.site , you can read all about them. They are studying the Michigan plates that Wayne May has been researching over 30 years, finding ancient fire pits and artifacts, doing core hole drilling, magnetometry, lidar, archaeological digging, drone exploring, and many other new world scientific studies from experts all over the world. You will be fascinated with their work below. They would love to have guests, visitors, speakers, and other experts that may want to help. Email John or Wayne at the information on their website.

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Rock Art Found on Canary Islands, Spain – Zarahemla Cut in Stone
June 5, 2021 

We are learning every day. There are experts on both sides of the Atlantic who are now helping us to understand the rock art of the Canary Islands.

Petroglyphs are found on all seven of the main islands of the Canarian archipelago. They show geometric signs, characters, and representations carved into large rocks. These petroglyphs show great differences in design and technology. On the largest island, there is one rock with a face of about 20 feet by 12 feet that has a set of engravings that is written in the alphabet of the ancient Berber (Vertical) language and seem to read as Zarahemla.
Rock Art 1
The ancient Berber (vertical) script is probably based on or derived from the Punic script, with some influence from the South Arabian and North Arabian scripts. The red oval on the first figure encompasses the scripts for Zarahemla. The characters are cut in the rock and read from top to bottom.

Most estimates suggest the ancient Berber script is around 3000 years old. This is primarily based on the fact that the Phoenicians arrived in North Africa around that time, and hence the widely accepted conclusion that the name Ti-finagh itself was derived from the word Phoniq.See https://www.temehu.com/imazighen/tifinagh.htmRock Art 4
The figure shows the enlargement of the engravings and how the characters relate to the name of Zarahemla. 

©2021 Heart Land Research Group | 2681 Milan Street Easton, PA 18045

Rock Art Found on Canary Islands, Spain – Zarahemla Cut in Stone
June 6, 2021 Update

We are learning every minute. This is an updated version of an email that we sent out a few hours ago. The discovery of the name Z-A-R-A-H-E-M-L-A off the coast of North Africa is significant for millions of people who study the Book of Mormon. We want to bring to your attention additional information as we receive that information in real-time.

There are experts on both sides of the Atlantic who are now helping us understand the Canary Islands’ rock art. We seek to find people in Morocco who still speak and write forms of languages that were common when the Mulekites left for America. We will ask them to read the rock art, and we expect that when they do, it will sound very much like they are saying the most important ancient city in the Book of Mormon. We hope to make a video of this reading so that we can all be surprised together.

Petroglyphs are found on all seven of the main islands of the Canarian archipelago. They show geometric signs, characters, and representations carved into large rocks. These petroglyphs show great differences in design and technology. There is one rock with a face of about 20 feet by 12 feet on the largest island with engravings written in the alphabet of the ancient Berber (Vertical) language and seems to read as Zarahemla.

Like Hebrew, the ancient Berber script did not use vowels. The right side of the figure shows in vertical position Z-A-R-A-H-E-M-L-A as written in English. Those nine letters are in cells a1:a9. Columns b, c, d, and e have no vowels. Column d places the ancient letters in the order as they are found from the rock art and the alphabet of ancient Berber. The rock art and the written letters are the same.

We know from Barry Fell, America B.C., Ancient Settlers in the New World, that the ancient letters found in North Africa are also found in many places in North America. Our research will focus on looking for ancient writings in Michigan, Illinois, Iowa, and Ohio that match ZARAHEMLA as written on the large rock on the Canary Islands in Spain.

.Rock Art 1
The ancient Berber (vertical) script is probably based on or derived from the Punic script, with some influence from the South Arabian and North Arabian scripts. The red oval on the first figure encompasses the scripts for Zarahemla. The characters are cut in the rock and read from top to bottom.

Most estimates suggest the ancient Berber script is around 3000 years old. This is primarily based on the fact that the Phoenicians arrived in North Africa around that time, and hence the widely accepted conclusion that the name Ti-finagh itself was derived from the word Phoniq.See https://www.temehu.com/imazighen/tifinagh.htmRock Art 3
We know that Zarahemla is the most common geographical name in the Book of Mormon. We know that, separate from Father Lehi’s family, the Mulekites came to America by sea and founded the City of Zarahemla on the west bank of the River Sidon sometime after burning the First Temple of Jerusalem in 586 BC by King Nebuchadnezzar.

Mulek was the son of King Zedekiah, and he came to America as the Prince of Judah. He and his entourage probably had access to princely sums of money. They arranged their trans-Atlantic travel with the able seamen of the ancient world from the Mediterranean.

We know from archaeological surveys and ceramic analyses from the Island of Tenerife that the chronology of the Canary Islands goes back to the 6th Century BC.

Would it not be significant to discover the name of Zarahemla cut in the rocks of North America? How would we be able to recognize the engravings that mean Zarahemla? Is Zarahemla already cut in the rock art of the Canary Islands?

Michel Gérald Boutet, from Quebec, Canada, has been working with rock art and their inscriptions for more than two decades. He specializes in the connection of Old World scripts to the ancient writings of North America.

Michel offers as his professional opinion that the rock art found in the images from Tenerife are Tifinagh symbols.
Screenshot 6  

©2021 Heart Land Research Group | 2681 Milan Street Easton, PA 18045

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